Installation made up of bodily forms constructed from used garments recovered from a secondhand market. These fabrics were once in direct contact with bodies and carry histories of use, consumption, and disposal. Once reused, they cease to serve a fixed function and become open matter. The textile pieces hold an ambiguous quality, like organisms in mutation. Among them appear ceramic pieces that activate the relationship between rigid and soft, between what resists and what yields. The bodies are meant to be rearranged, held in a state of constant negotiation: they can connect, support one another, or recombine depending on the space and the tensions that arise between them, without preassigned functions. The installation exists between the desire to contain and the impossibility of defining. From there, the artist considers cohabitation: the experience of bodies that coexist without closing into a single state, within a shared state of transformation.