This project brings together a series of material experimentations where ceramic fragments, collected organic elements, synthetic materials, and collage are articulated together without a pre-established hierarchical order, resulting in hybridizations.

The ceramic pieces and bodily images in the collages reference feminine corporealities as a starting point for thinking about those bodies and materials that have historically been regulated, exploited, or forced to conform to rigid systems of control.

Through assemblage and practical research with thread, biopolymers, and silicone, I explore how different materialities meet, support one another, or enter into tension. These decisions do not function solely as technical solutions, but as essays that allow us to observe how matter negotiates between rigidity and flexibility, control and openness, permanence and transformation. The assemblages bring fragments into relation where each element retains its difference, yet is affected by contact with other bodies. Coexistence thus appears as an unstable and temporary equilibrium, always susceptible to reconfiguration.